For a while now I’ve been working on a few sideprojects. When I say “for a while” I actually mean, for a very, very, very, very, really big, (holy moly I can’t remember when I started), verrrrrry long time. One of these sideprojects are my little Clones.
I’m sure you’ve noticed them trudging around here ‘n there. Though it’s only been recently that I decided to mold them into comic form. So that means -if you know me a bit- I started building up a huge reserve of pages lately. Work on it goes slow, as usual, but it’s very rewarding. Since I normally share my wip (Work In Progress) shots on twitter or the platform of Somewhere,
I thought it’d be a nice change of pace to throw it on here.
What I’m about to show you here, is a small breakdown of what normally takes about two days of work. We start at the sketching phase, go over the linework, move on to the shadows, with the flat colors next and the final painting as last. Though normally I tend to skip a few things for myself here ‘n there you know. For example, for the purpose of this small peek behind the screen, I seperated all the phases, but usually I tend to do my shadows alongside with my flat colors, and even add some light here ‘n there as well. Maybe even throw in a few effects even. It’s odd, that I’d have the same work method as a normal painter, since I almost never liked painting with a real brush in the past. You could say this is my compensation for it.
So this is it. Now you have a small insight in the making of the art for comic books. I’m not sure I’m doing it right though, since I still feel like I’m treating my pages way too much like my illustrations and therefore am losing a lot of time over simple messing around with the final details. Though I do got most of the process down to full automatisation and even got the script laid out for several more pages, so that shouldn’t be a problem (for now).
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