So summer has passed and again there’s this gap already from a couple of weeks, in between this and last post. Honestly, I *am* trying to keep consistent by posting at least once every month, but unfortunately work and just life in general catches up with you *fast*. It’s like you blink and all the sudden there’s another month gone by? Where the heck did that summer go?
Now, I am not here to bore you with the past, but with stuff that should give you a small peek behind the smokescreen of this artist’s way of working. As I’ve been hearing left and right, people actually seem to dig the work in progress of an artist as well. I’ve discussed this previously (a couple of posts ago) as well, yet didn’t explore it further and just went on my way. Well, I’m here to announce I’m going to try to change all that. Big words, I know, since I’m not that good with promises and all that jazz.. But I’ll try to stick to it from now on. Promise. I’m even planning to dig out some old paints and find a way to show you lot how I got to ‘m.
Since words are just words, I decided to give some meaning to my words and introduce to you the the first one of the series.
At first I’ll start with a simple sketch. That’s where almost all my paintings start. It’s not a necessity per se, but I like to start with that start of pencil ‘n paper in my hands. Note the small thumbnail I made in the upper left hand corridor. It indicates how I imagine the vehicle would look like from the left. After scanning, I’ll move on to photoshop.
All my paints usually go through four stadia, depending on how complex they are.
For Step #01 I’ll add a simple trace of the lines, it’s the grunt-work of every drawing in my opinion. If you made a finished sketch, this is usually the work you can let your mechanized clone or monkey do (depends on your preference – I went with clones). After this stage, we go into Step #02 where the basic ground colour is added and shadows are applied. Pay strong attention to the light here and always strife for the most realistic feeling when dealing with the objects.
Step #03 is where the fun part begins for me; colouring of the character(s) and all the various objects & details. This is where you’ll love your reference material for just that right touch, when it comes to color and how they act in every environment.
At last there’s Step #04, my absolute favourite one. Here I get to apply the further detailed colouring, the small details & textures that give your paint that extra finishing touch. A few small corrections here ‘n there might occur as well. I usually advise to stand back a bit from your paint at this stage and give it a fresh eye. Mostly, I myself tend to skip this step (not professional – I know, don’t look at me like that!), which usually ends in me going back to step #03 and see where I went wrong.
If you made it this far with your own artwork, the only thing left for me is to congratulate you. I hope you had a blast on it and are inspired to get going on the next one. With that in mind, I got a few more paintings waiting for me …
Anyway, I hope that this way, all of you got a better and useful view into my way of working.
Until we meet again,